Hollywood Movie Joker Review And Information

Hollywood Movie Joker Review And Information

Joker is a 2019 American psychological thriller film directed by Todd Phillips, who also co-wrote the screenplay with Scott Silver. The film, based on DC Comics characters, stars Joaquin Phoenix as Joker. Set in 1981, it follows Arthur Fleck, a failed clown and aspiring stand-up comic whose descent into mental illness and nihilism inspires a violent countercultural revolution against the wealthy in a decaying Gotham City. Robert De Niro, Zazie Beetz and Frances Conroy appear in supporting roles. Distributed by Warner Bros. Pictures, Joker was produced by Warner Bros. Pictures and DC Films in association with Village Roadshow Pictures, Bron Creative and Joint Effort.

Phillips conceived Joker in 2016 and wrote the script with Silver throughout 2017. The two were inspired by 1970s character studies and the films of Martin Scorsese, particularly Taxi Driver (1976) and The King of Comedy (1982), who was initially attached to the project as a producer (and De Niro coincidentally featured on the both films). The film loosely adapts plot elements from Batman: The Killing Joke (1988), but Phillips and Silver otherwise did not look to specific comics for inspiration. Phoenix became attached in February 2018 and was cast that July, while the majority of the cast signed on by August. Principal photography took place in New York City, Jersey City and Newark, from September to December 2018. Joker is the first live-action theatrical Batman film to receive an R rating from the Motion Picture Association.

Joker premiered at the 76th Venice International Film Festival on August 31, 2019, where it won the Golden Lion, and was theatrically released in the United States on October 4. The film received polarizing reviews from critics, with praise directed toward Phoenix's performance, Phillips's direction, the visual style, editing, musical score, and cinematography, while the tone, portrayal of mental illness, lack of originality and handling of violence divided opinions. The film was a box office success and set records for an October release. It grossed over $1 billion, the first R-rated film to do so and became the sixth-highest-grossing film of 2019 during its theatrical run. The film also received numerous accolades. A sequel, Joker: Folie à Deux, is set for release on October 4, 2024.

Hollywood Action Movies in Hindi Download Free

A clown and aspiring stand-up comedian named Arthur Fleck lives with his mother, Penny, in crime-ridden Gotham City during the early 1980s recession. Arthur suffers from a neurological disorder that causes him to have random, uncontrollable laughing fits, requiring medication for which he depends on social services to obtain. After Arthur is attacked by street urchins, his co-worker Randall gives him a revolver for self-defense. Arthur pursues a relationship with his neighbor, single mother Sophie, and invites her to see his routine at a comedy club.

Arthur is fired from his job at a children's hospital when he accidentally exposes the gun despite his explanation that it was given to him by Randall, who denies this. While riding home on the subway still wearing his clown makeup, Arthur is mocked and beaten by drunk businessmen from Wayne Investments; he fatally shoots two of them in self-defense and murders the third as he attempts to flee. The killings are condemned by their employer, billionaire mayoral candidate Thomas Wayne, but protesters begin donning clown masks in Arthur's image. Budget cuts shut down the social service program, leaving Arthur without his medication.

Sophie attends Arthur's stand-up routine, which goes poorly; he laughs uncontrollably, and his jokes fall flat. Arthur intercepts a letter from Penny to Thomas, alleging that he is Thomas's illegitimate son, and berates his mother for hiding the truth. He goes to Wayne Manor, where he meets Thomas's young son Bruce, but flees after a scuffle with family butler Alfred Pennyworth. Penny suffers a stroke and is hospitalized. Arthur's idol, popular late-night talk show host Murray Franklin, presents clips of Arthur's failed performance on his show and mockingly calls him a "joker".

Arthur confronts Thomas at a film theatre. Thomas tells him that he is not his father, and Penny is not his biological mother. In denial, Arthur visits Arkham State Hospital and steals Penny's file, which states she was a narcissist who adopted Arthur while working as a housekeeper for the Waynes in the 1950s. Penny then raised Arthur with her abusive boyfriend, who later died in jail. Penny was sent to Arkham for allowing the abuse. Distraught, Arthur enters Sophie's apartment unannounced. Frightened, Sophie asks him to leave, revealing their relationship to be a figment of Arthur's imagination. The following day, Arthur smothers Penny to death at the hospital.

After his stand-up clips go viral, Arthur is invited to appear on Murray's show. He subsequently plans suicide during the broadcast. While crafting a clown-inspired persona, he is visited by Randall and another ex-colleague, Gary. Arthur kills Randall, but spares Gary for his kindness to him in the past. Two detectives investigating Arthur's involvement in the murders of the businessmen pursue him onto a subway filled with clown protesters. One detective accidentally shoots and kills a protester, thus inciting a riot, while Arthur escapes.

Avatar The Way of Water Full Movie in Hindi Free Download

Before the show goes live, Arthur asks Murray to introduce him as "Joker", a reference to his earlier mockery. Arthur behaves lewdly, tells morbid jokes, confesses to the subway murders, rants about how society abandons the downtrodden and mentally ill, and berates Murray for ridiculing him. After one more morbid joke, Arthur fatally shoots him on air. He is arrested, and riots erupt across the city. One of the rioters corners the Wayne family in an alley and murders Thomas and his wife, sparing Bruce. Rioters in an ambulance crash into the police car carrying Arthur, freeing him; he stands atop the car, starts to dance to the cheers of the crowd, and smears blood on his face into the shape of a smile.

At Arkham, Arthur laughs to himself about a joke while with a therapist, but declines to tell it, claiming she would not understand it. He leaves behind a trail of bloodied shoeprints as he is chased down a corridor by an orderly.

Joaquin Phoenix as Arthur Fleck / Joker: A mentally ill, impoverished party clown and stand-up comedian disregarded by society, whose history of abuse causes him to become a nihilistic criminal with a clown-inspired persona. Phoenix had been interested in a low-budget "character study" of a comic book character and said the film "feels unique, it is its own world in some ways and maybe It might as well be the thing that scares you the most". Phoenix lost 52 pounds for his role in the film.

Robert De Niro as Murray Franklin: A talk show host who plays a role in Arthur's downfall. De Niro said his role in Joker pays homage to his character from The King of Comedy (1982), Rupert Pupkin, who is a comedian obsessed with a talk-show host.

Zazie Beetz as Sophie Dumond: A cynical single mother and Arthur's "love interest". Beetz, a "huge fan" of Phoenix, said that it was "an honor" to costar with him and that she learned a lot working with him on set.

Frances Conroy as Penny Fleck: Arthur's mentally and physically ill mother, who formerly worked for Thomas Wayne.

Hannah Gross as young Penny.

Additionally, Brett Cullen portrays Thomas Wayne, a billionaire running for mayor of Gotham. Alec Baldwin was initially cast in the role, but dropped out due to scheduling conflicts. Carrie Louise Putrello portrays Thomas's wife Martha, although the character has no lines and is never referred to by name. Douglas Hodge plays Alfred Pennyworth, the butler and caretaker of the Wayne family, and Dante Pereira-Olson plays Bruce Wayne, Thomas' son, who becomes the Joker's archenemy Batman as an adult.

Additional cast members include Glenn Fleshler and Leigh Gill as Randall and Gary, Arthur's clown co-workers; Bill Camp and Shea Whigham as detectives Garrity and Burke in the Gotham City Police Department; Marc Maron as Gene Ufland, a producer on Franklin's show; Sharon Washington as Arthur's social worker; Josh Pais as Hoyt Vaughn, Arthur's agent; Brian Tyree Henry as Clark, a clerk at Arkham State Hospital; Ben Warheit, Michael Benz and Carl Lundstedt as bankers who harass Arthur; Gary Gulman and Sam Morril as comedians at an open mic where Arthur performs; and Bryan Callen as Javier, a co-worker of Arthur. Justin Theroux has an uncredited cameo as Ethan Chase, a celebrity guest on Franklin's show.

Development

refer to caption

Joker director Todd Phillips in 2016

Between 2014 and 2015, Joaquin Phoenix expressed interest to his agent in acting in a low-budget "character study" type of film about a comic book villain, like DC Comics character the Joker. Phoenix had thought of the idea 1 to 2 years before Phillips conceived Joker in 2016. Phoenix had previously declined to act in the Marvel Cinematic Universe because he would have been required to reprise a role, such as the Hulk (initially portrayed by Edward Norton before he was recast by Mark Ruffalo) or Doctor Strange (ultimately portrayed by Benedict Cumberbatch), in multiple films. Phoenix ruled out the Joker for his "character study" idea and tried to think of a different one. "I thought, 'You can't do the Joker, because, you know, it's just you can't do that character, it's just been done'". Phoenix's agent suggested setting up an exploratory meeting with Warner Bros., but he declined and let go of the idea. Similarly, Todd Phillips had been offered to direct comic-based films a number of times, but declined because he thought they were "loud" and did not interest him. According to Phillips, Joker was created from his idea to create a different, more grounded comic book film. He was attracted to the Joker because he did not think there was a definitive portrayal of the character, which he knew would provide considerable creative freedom.

Punjabi Story Movies Download 720p Free

Phillips pitched the idea for Joker to Warner Bros. after his film War Dogs premiered in August 2016. Prior to War Dogs, Phillips was mostly known for his comedy films, such as Road Trip (2000), Old School (2003) and The Hangover (2009); War Dogs marked a venture into more unsettling territory. During the premiere, Phillips realized "War Dogs wasn't going to set the world on fire and I was thinking, 'What do people really want to see?' In addition, he found that it was difficult to make comedy films in the "woke culture", throughout opposition of "30 million people on Twitter". He finally thought that "How do I do something irreverent, but fuck comedy? Oh I know, let's take the comic book movie universe and turn it on its head with this". He proposed that DC Films differentiate its slate from the competing Marvel Studios' by producing low-budget, standalone films. After the successful release of Wonder Woman (2017), DC Films decided to deemphasize the shared nature of its DC-based film franchise, the DC Extended Universe (DCEU). In August 2017, Warner Bros. and DC Films revealed plans for the film, with Phillips directing and co-writing with Scott Silver and Martin Scorsese set to co-produce with Phillips. According to Tatiana Siegel of The Hollywood Reporter, Scorsese considered directing Joker before Phillips was chosen, though a Warner Bros. source said he only became involved because the film needed a New York City-based producer.

According to Kim Masters and Borys Kit of The Hollywood Reporter, Jared Leto, who portrayed the Joker in the DCEU, was displeased by the existence of a project separate from his interpretation. In October 2019, Masters reported that Leto "felt 'alienated and upset'" when he learned that Warner Bros.—which had promised him a standalone DCEU Joker film—let Phillips proceed with Joker, going as far as to ask his music manager Irving Azoff to get the project canceled. Masters added that Leto's irritation was what caused him to end his association with Creative Artists Agency (CAA), as he believed "his agents should have told him about the Phillips project earlier and fought harder for his version of Joker". However, sources associated with Leto deny that he attempted to get Joker canceled and left CAA because of it.

Warner Bros. pushed for Phillips to cast Leonardo DiCaprio as the Joker, hoping to use his frequent collaborator Scorsese's involvement to attract him. However, Phillips said that Phoenix was the only actor he considered, and that he and Silver wrote the script with Phoenix in mind, "The goal was never to introduce Joaquin Phoenix into the comic book movie universe. The goal was to introduce comic book movies into the Joaquin Phoenix universe". Phoenix said when he learned of the film, he became excited because it was the kind he was looking to make, describing it as unique and stating it did not feel like a typical "studio movie". It took him some time to commit to the role, as it intimidated him and he said "oftentimes, in these movies, we have these simplified, reductive archetypes and that allows for the audience to be distant from the character, just like we would do in real life, where it's easy to label somebody as evil and therefore say, 'Well, I'm not that.

Writing

It was a yearlong process from when we finished the script just to get the new people on board with this vision, because I pitched it to an entirely different team than made it. There were emails about: 'You realize we sell Joker pajamas at Target.' There were a zillion hurdles, and you just sort of had to navigate those one at a time At the time, I would curse them in my head every day. But then I have to put it in perspective and go, 'They're pretty bold that they did this.'

Goreyan Nu Daffa Karo Punjabi Full Movie Download Free

Todd Phillips

Phillips and Silver wrote Joker throughout 2017 and the writing process took about a year. According to producer Emma Tillinger Koskoff, it took some time to get approval for the script from Warner Bros., partly because of concerns over the content. Similarly, Phillips commented that there were "a zillion hurdles" during the year-long writing process due to the visibility of the character. Phillips said that while the script's themes may reflect modern society, the film was not intended to be political. He also noted that Joker is a story about child trauma and mental illness. In their script, Phillips talked about how difficult it is for patients to reveal their diagnoses, referring to a line from the film: "The worst part of having a mental illness is that people expect you to behave as if you don't".

The script draws inspiration from Scorsese films such as Taxi Driver (1976), Raging Bull (1980) and The King of Comedy (1983), as well as Phillips' Hangover Trilogy. Other films Phillips has cited as inspiration include character studies released in the 1970s—such as Serpico (1973) and One Flew Over the Cuckoo's Nest (1975)—the silent film The Man Who Laughs (1928) and several musicals. Phillips said that aside from the tone, he did not consider Joker that different from his previous work, such as his Hangover films. The film's premise was inspired by Alan Moore and Brian Bolland's graphic novel Batman: The Killing Joke (1988), which depicts the Joker as a failed stand-up comedian, while the climactic talk show scene was inspired by a similar scene in Frank Miller's The Dark Knight Returns (1986). However, Phillips said the film does not "follow anything from the comic books. That's what was interesting to me. We're not even doing Joker, but the story of becoming Joker". Phillips later clarified that he meant they did not look to a specific comic for inspiration, but rather "picked and chose what we liked" from the character's history. Having grown up in New York, Phillips also drew inspiration from life in New York City during the early 1980s. The Subway shooting scene and its aftermath were inspired by the 1984 New York City Subway shooting, while Arthur Fleck is partially based on the shooting's perpetrator, Bernhard Goetz.

Phillips and Silver found the most common Joker origin story, in which the character is disfigured after falling into a vat of acid, too unrealistic. Instead, they used certain elements of the Joker lore to produce an original story, which Phillips wanted to feel as authentic as possible. Because the Joker does not have a definitive origin story in the comics, Phillips and Silver were given considerable creative freedom and "pushed each other every day to come up with something totally insane". While the Joker had appeared in several films before, Phillips thought it was possible to produce a new story featuring the character. "It's just another interpretation, like people do interpretations of Macbeth", he told The New York Times. However, they did try to retain the ambiguous "multiple choice" nature of the Joker's past by positioning the character as an unreliable narrator—with entire storylines simply being his delusions and left what mental illnesses he suffers from unclear. As such, Phillips said the entire film is open to interpretation.

When a draft of the film's script, written in April 2018, was leaked and spread on the internet, Phillips stated that it was an old version from six months before filming began. Phillips also declined to take legal action against the spread of the script, stating that he liked having an old version circulate.

Pre-production

The logo of Joker. Chad Danielely printed the logo "aggressive / transparency / scraping / noise" effects, by letterpress using old wood type.

Following the disappointing critical and financial performance of Justice League (2017), in January 2018 Walter Hamada replaced Jon Berg as the head of DC-based film production at Warner Bros. Hamada sorted through the various DC films in development, canceling some while advancing work on others; the film was set to begin filming in late 2018 with a small budget of $55 million. Kim Masters of The Hollywood Reporter said Warner Bros. was reluctant to let Joker move forward and gave it a small budget in an effort to dissuade Phillips. Phillips said that Hamada did not understand what he was trying to do. By June, Robert De Niro was under consideration for a supporting role in the film. The deal with Phoenix was finalized in July 2018, after four months of persuasion from Phillips. Immediately afterwards, Warner Bros. officially green-lit the film, titled it Joker and gave it an October 4, 2019, release date. Warner Bros. described the film as "an exploration of a man disregarded by society that is not only a gritty character study, but also a broader cautionary tale".

Scorsese's longtime associate Koskoff joined to produce, although Scorsese left his producing duties due to other obligations. Scorsese considered serving as an executive producer, but was preoccupied with his film The Irishman. It was also confirmed that the film would have no effect on Leto's Joker and would be the first in a new series of DC films unrelated to the DCEU. In July, Zazie Beetz was cast in a supporting role and De Niro entered negotiations in August. Frances McDormand declined an offer to portray the mother of the Joker and Frances Conroy was cast. At the end of July, Marc Maron, and Bryan Callen joined the cast. Alec Baldwin was cast as Thomas Wayne on August 27, but dropped out two days later due to scheduling conflicts. Baldwin also noted the character's description as a reason for his departure, which called Thomas Wayne "a cheesy and tanned businessman who is more in the mold of a 1980s Donald Trump".

Bollywood Horror Movies Free Download

Filming

The Newark Paramount Theatre. Street scenes were filmed in front of the abandoned theater in Downtown Newark, New Jersey.

A corrugated silver metal subway train sits with its doors open in a station. Its rollsign reads "0 Local / To Old Gotham all times / Downtown & Tricorner".

A New York City Subway C train with a rollsign for the fictional 0 train left over from filming for Joker

Principal photography commenced in September 2018 in New York City, under the working title Romeo. Shortly after filming began, De Niro, Brett Cullen, Shea Whigham, Glenn Fleshler, Bill Camp, Josh Pais and Douglas Hodge were announced to have joined the film, with Cullen replacing Baldwin. Bradley Cooper joined the film as a producer, and the director of photography was Lawrence Sher, both of whom Phillips had previously collaborated with. On September 22, a scene depicting a violent protest was filmed at the Church Avenue station in Kensington, Brooklyn, although the station was modified to look like the Bedford Park Boulevard station in the Bronx. Filming of violent scenes also took place at the abandoned lower platform of the Ninth Avenue station in Sunset Park, Brooklyn.

According to Beetz, Phillips rewrote the entire script during production; because Phoenix lost so much weight for the film, there would not be an opportunity for reshoots. She recalled, "we would go into Todd's trailer and write the scene for the night and then do it. During hair and makeup we'd memorize those lines and then do them and then we'd reshoot that three weeks later". Phillips recalled Phoenix sometimes walked off-set during filming because he lost self-control and needed to compose himself—to the confusion of other actors, who felt they had done something wrong. De Niro was one of the few Phoenix never walked out on and De Niro said he was "very intense in what he was doing, as it should be, as he should be".

Filming in Jersey City started on September 30 and shut down Newark Avenue, while filming in November, starting on November 9, shut down Kennedy Boulevard. Filming in Newark began on October 13 and lasted until October 16. Shortly before the Newark filming, SAG-AFTRA received a complaint that extras were locked in subway cars for more than three hours during filming in Brooklyn, a break violation. The issue was quickly resolved after a representative visited the set. That month, Dante Pereira-Olson joined the cast as a young Bruce Wayne. Whigham said towards the end of October the film was in "the middle" of production, adding that it was an "intense" and "incredible" experience. By mid-November, filming had moved back to New York. Filming wrapped on December 3, 2018, with Phillips posting a picture on his Instagram feed later in the month to commemorate the occasion.

In The Hollywood Reporter interview, Emma Tillinger Koskoff said that most stressful filming was the "Stair Dance" scene; because there were no laws on paparazzi in New York City, filming was disrupted by them. The South Bronx stairs used for the biographical crime film American Gangster (2007) were originally to be used for these scenes, according to The New York Times, but were deemed too repaved and beautified to be aesthetically acceptable for the film's tone. Initially, Lawrence Sher and Phillips had wanted to film on 65mm film for the 70mm format, but Warner Bros. rejected this due to cost, and the film was subsequently shot in using Arri Alexa 65 digital cameras. Warner Bros. did however end up giving Joker a limited theatrical release in converted 70mm and 35mm presentations.


The Creator Adventure Movie Story And Review

The Creator Adventure Movie Story And Review

The Creator is a 2023 American science fiction film produced and directed by Gareth Edwards, who co-wrote the screenplay with Chris Weitz. The film stars John David Washington, Gemma Chan, Ken Watanabe, Sturgill Simpson, Allison Janney, and Madeleine Yuna Voyles (in her film debut). Its plot, set in a future impacted by war between the human race and the forces of artificial intelligence, follows an ex-special forces agent who is recruited to hunt down and kill the "Creator", who has developed a mysterious weapon with the power to end the war by destroying mankind itself, but must choose whose side he is on when he discovers what the weapon actually is.

Development began in November 2019 when Edwards signed on to direct and write an untitled science fiction project for New Regency and was officially announced in February 2020. He cited Apocalypse Now (1979), Baraka (1992), Blade Runner (1982), Akira (1988), Rain Man (1988), The Hit (1984), E.T. the Extra-Terrestrial (1982) and Paper Moon (1973) as this film's sources of inspiration. Originally titled True Love, it was changed to its current title. Filming began on January 17, 2022 and wrapped on May 30, 2022.

The Creator was released in the United States on September 29, 2023, by 20th Century Studios. The film received generally positive reviews from critics, with many praising its visual effects, direction, performances and its approach to the subject matter.

In 2055, an artificial intelligence created by the U.S. government detonates a nuclear warhead over Los Angeles, California. In response, the U.S. and its Western allies pledge to eradicate AI from the earth in order to prevent humanity's extinction. Their efforts are resisted by New Asia, a region in southeast Asia whose people continue to embrace AI despite outcry from the West. The U.S. military launches an extensive military campaign against AI, seeking to assassinate "Nirmata", the mysterious chief architect behind New Asia's AI advancements. The USS NOMAD (North American Orbital Mobile Aerospace Defense) is developed as an advanced high-altitude aerospace platform capable of launching destructive attacks from orbit.

Visit-> MoviesRay.com

A decade after the destruction of Los Angeles, U.S. sergeant Joshua Taylor is embedded as an undercover operative in New Asia and is married to Maya, who the U.S. army believes to be the daughter of Nirmata. When U.S. forces attack their home, exposing to Maya that Taylor is a covert agent seeking to use Maya to find Nirmata, a pregnant Maya runs away but is apparently killed in a subsequent NOMAD strike.

Five years later, Taylor works as part of the ground zero cleanup crew in Los Angeles. He is approached by General Andrews and Colonel Howell, recruiting him on a mission aimed at locating and destroying a new weapon engineered by Nirmata, "Alpha O," believed to be capable of destroying the NOMAD platform and thus shifting the balance of the war in favor of the AI. To recruit him, they play a video showing Maya alive, and suggest he might find and reunite with her if he joins the team. In New Asia, separated from the rest of the strike team, Taylor manages to enter the compound believed to hold the weapon but discovers only a robotic "simulant" in the form of a young child. It is revealed that the girl has the ability to remotely control technology. Dubbing her "Alphie", Taylor disobeys Howell's orders to kill the simulant and with Alphie heads to the provincial capital to find Drew, Taylor's former commanding officer.

Examining Alphie, Drew tells Taylor she is capable of becoming the most powerful weapon on the planet as her abilities to control technology will grow exponentially. New Asian police attack Drew's apartment, killing his simulant girlfriend Kami, as Howell and squad member McBride close in. With Drew's help, Taylor locates Maya's beacon but does not find her, and the group once again comes under attack. Before Drew dies, he tells Taylor that the raid five years earlier had happened because the army had intelligence that Maya was Nirmata. Taylor and Alphie are captured by New Asian forces led by Harun, a simulant soldier and former ally of Taylor's, and are brought to their village.

Harun states that the tragedy in Los Angeles was caused by a human coding error, and that the U.S. government unfairly cast the blame on AI, who only wish to peacefully co-exist with humanity; Maya became the second Nirmata after her father's death. After escaping his captors, Taylor rescues Alphie and prepares to flee as Howell leads an attack on the village. Alphie intervenes with her abilities but is gravely wounded by McBride. She is rushed to Nirmata, whom Taylor learns has been in a coma since the strike on her home, tended by simulant monks. Because simulants cannot harm Nirmata, she is "stranded" and unable to die. It is also revealed that Alphie was based on Joshua and Maya's unborn daughter, who had been scanned in utero. Distressed, Taylor takes Maya off life support as Howell and her forces arrive. They are killed by Harun, who tells Taylor NOMAD must be destroyed in order for the war to end.

Visit-> MoviesMods.site

Taylor and Alphie are captured by U.S. forces and taken to Los Angeles, where Taylor is forced to kill Alphie with an Electroshock weapon. However, Andrews later discovers this to be a ruse, and the pair escapes before Alphie can be incinerated. Boarding a lunar shuttle at the Los Angeles Interplanetary Air and Space Port, Alphie forces the spacecraft to land aboard NOMAD just as Andrews orders a large-scale assault on remaining AI bases across the globe. Taylor plants a timed explosive while Alphie disables the ship's power. Before Taylor can arrive at the escape pod, Andrews activates a tentacled robot that prevents him from entering, and Taylor is forced to eject the vehicle with Alphie in it. As NOMAD explodes, halting the strike, Taylor reunites with a simulant bearing Maya's likeness, whom Alphie had activated using a memory chip containing information Taylor had downloaded from Maya when he took her off life support, and shares a final embrace and kiss with her. On Earth, Alphie lands safely in New Asia and witnesses its people celebrating the NOMAD's destruction.

Development

Director, co-producer and co-writer Gareth Edwards (left) and co-writer Chris Weitz (right)

Development on the film began in November 2019, when Gareth Edwards signed on to direct and write an untitled science fiction project for New Regency to produce, along with Edwards' Rogue One: A Star Wars Story (2016) co-producer Kiri Hart serving as producer. A test shoot and location scouting was conducted that year, with Edwards using it as the opportunity to envision the look of the film. He described the process as "I took a camera and a 1970s anamorphic lens, we went location-scouting in Vietnam, Cambodia, Japan, Indonesia, Thailand, and Nepal. Our whole plan was just to go to the greatest locations in the world, because the cost of a flight is way less than the cost of building a set. We were going to hopscotch around the world and shoot this film, then layer in the science-fiction on top afterwards. If our film is trying to achieve something visually, it's trying to feel real in terms of science-fiction.

In February 2020, Edwards was officially announced as director. Edwards cited films such as Apocalypse Now (1979), Baraka (1992), Blade Runner (1982), Akira (1988), Rain Man (1988), The Hit (1984), E.T. the Extra-Terrestrial (1982) and Paper Moon (1973) as this film's sources of inspiration.

Casting

Top row: John David Washington (left), Gemma Chan, Ken Watanabe and Sturgill Simpson

Bottom row: Allison Janney (left), Ralph Ineson, Marc Menchaca and Veronica Ngo

In May 2021, John David Washington was announced to star, and the film's working title was revealed to be True Love. In June 2021, Gemma Chan, Danny McBride, and Benedict Wong entered negotiations to star. The involvements of Chan and Wong were confirmed in January 2022, with Allison Janney, Sturgill Simpson, and Marc Menchaca joining the cast. Simpson was reported to be taking over for McBride who departed due to scheduling conflicts. In February 2022, Ken Watanabe joined the cast to replace Wong, who also had to drop out due to scheduling conflicts; Watanabe had previously worked with Edwards on Godzilla (2014).

Filming

On a production budget of $80 million, principal photography began in Thailand on January 17, 2022, with Greig Fraser (who also serves as a co-producer) and Oren Soffer serving as cinematographers, and COVID-19 safety precautions in place. To give the film the feel of classic Hollywood epics such as Ben-Hur (1959), the filmmakers opted to shoot the film in the 2.76:1 ultra-wide aspect ratio.

The film backdrop features landforms of Ban Mung, Thailand

Among the on-site filming locations in Thailand are Suvarnabhumi Airport, Ban Mung, Sangkhla Buri, Chiang Dao, and Sam Phan Bok.

Visit-> Filmywap.fun

For their duties, Fraser was involved in the pre-production process before moving to working remotely due to his commitment to Dune: Part Two (2024), while Soffer, for his first major studio film, served as the main director of photography throughout the production shoot. In an interview with Total Film, Edwards, who also served as one of the camera operators, commended Soffer and what he brought to the film's production, calling him a "real future rising star in the DoP world. He's super-smart. He's got a great eye." The film was shot on the prosumer Sony FX3 camera, the low cost of which is a rarity for a blockbuster film. Edwards would ultimately confirm the camera's usage during Collider's "Directors on Directing" panel at the 2023 San Diego Comic-Con, where director and fellow panelist Louis Leterrier noting that this creative decision could "change cinema" forever. In light of the budget, the filmmakers utilized guerrilla filmmaking methods by having very few crew members and natural lighting on set for select on-location scenes, and limited sound recording. Rather than build sets, or rely exclusively on digital methods such as greenscreens or StageCraft, the production found it was more cost effective to pay to send a small crew to film in 80 locations around the world which came closest to matching the desired sci-fi look. Then, only once the film had finalised the edit would visual effects be layered into the image. Using this method for visual effects, Edwards estimated the production spent only $80 million on a project which would have typically cost $300 million.[24] Filming wrapped on May 30, 2022.

Visual effects and post-production

The visual effects were provided by Industrial Light & Magic, SDFX Studios, Yannix, Virtuos, Weta Workshop Folks VFX, MARZ, Misc Studios, Fin Design + Effects, Outpost VFX, Lekker VFX, Crafty Apes, Jellyfish Pictures, Proof, Territory Studio, Atomic Arts and VFX Los Angeles James Clyne, who worked as a concept artist on Rogue One, reunited with Edwards on this film as its production designer.

The USS NOMAD is noted as one of the film's most significant elements due to its distinctive visual design and sound effects.

One of the most significant elements of the film is the fictional U.S. military space station NOMAD, which was noted for its distinctive visual design and sound effects. Edwards revealed that it took the entirety of the lockdowns caused by the COVID-19 pandemic to design it, describing the ship as "a bird of prey and an all-seeing eye in the sky, always looking at everybody. So we kept playing with those two shapes and merging them in a way until it just felt right." Erik Aadahl and Ethan Van der Ryn, who worked with Edwards on Godzilla (2014), provided the sound effects work for the ship, described as "a dance, is probably the nice way to say it, between music and sound, and it's never a fight." The assembly cut of the film, which ran for 5 hours, did not use any temp tracks for the music and just the sound design, which Edwards likened to that of the talkies during the late-1920s. Because of this, it was decided that no music be added to the film throughout the entire editing process in order to get the pacing and story structure right in an efficient manner. Edwards called the experience "super interesting. Part of me thinks that I would do that again, because it puts a lot of pressure on the sound design, but then you're not hiding behind music to save the storytelling.

Music

Main article: The Creator (soundtrack)

On July 17, 2023, Edwards confirmed on the film's Twitter account that Hans Zimmer was hired to score the film. On September 19, 2023, Edwards revealed that he initially planned on having a company specialising in AI-generated music replicate Zimmer's style of music. Although the process gave him satisfying results, Edwards instead chose Zimmer to originally score the film. The soundtrack was digitally released by Hollywood Records on September 29, 2023.

Visit-> 9xMoviesVerse.com

Marketing

A first look at the film was shown at CinemaCon on April 26, 2023, with Anthony D'Alessandro of Deadline Hollywood praising the production design, saying that it made "Blade Runner look like child's play". It was also announced that the title was renamed from True Love to The Creator. Edwards later explained why the title was changed, saying that it "sounded too much like a romantic comedy, and that message would confuse potential audiences who weren't familiar with the film's plot or trailer.

The film's teaser trailer, set to a remix of Aerosmith's "Dream On," premiered online on May 17, 2023. The official trailer was released on July 17, 2023, three days after the beginning of the 2023 SAG-AFTRA strike. James Whitbrook of Gizmodo and EJ Tangonan of JoBlo.com found the move coincidental, given the similarities between the film's premise and SAG-AFTRA's fears of the film studios using artificial intelligence to replicate the likenesses of actors without compensation. Edwards agreed with this take, saying "I have a trick with AI is to get the timing as a sweet spot window where it's before the apocalypse and not after, which I think it's in November — maybe December — and so, I think we got really lucky The joke would be that when you write a film, especially a science fiction film, I try to avoid putting a date at some point, you have to so, I picked 2070. Now I feel like an idiot because I should've gone for 2023 'cause everything that's been unfolding in the last few months is kind of scary and weird.

Exclusive footage from one of the film's battle sequences and a first listen to some of Zimmer's score were presented at the 2023 San Diego Comic-Con on July 21, 2023. A behind-the-scenes featurette introducing Edwards' vision for the film and featuring interviews with the cast was released on August 21, 2023. An IMAX fan event showcasing exclusive footage from the film with a live Q&A with Edwards took place in select IMAX theaters nationwide on August 29, 2023, one month before the film's release.

Publicity stunts were also conducted in September 2023 when actors dressed as "AI robots" depicted in the film appeared during a National Football League game between the Los Angeles Chargers and the Miami Dolphins at SoFi Stadium in Inglewood, California, a Major League Baseball game between the San Diego Padres and the St. Louis Cardinals at Petco Stadium in San Diego, and the first race of the Autotrader EchoPark Automotive 400 at Texas Motor Speedway in Fort Worth, Texas. A book showcasing concept artwork and a behind-the-scenes look at the making of the film, written by James Mottram, will be published by Insight Editions and released by Simon & Schuster on November 14, 2023.

Controversy

On July 17, 2023, the official trailer for The Creator received negative criticism for using footage from the 2020 Beirut explosion as a visual effects plate shot of a futuristic Los Angeles being obliterated by a nuclear explosion. It was first noticed by a Reddit user and was subsequently covered by the YouTube channel Corridor Crew as part of their "VFX Artists React" series, where they expressed disdain at the incorporation of the footage.

On September 15, 2023, during a Reddit AMA with Gareth Edwards, he revealed that the alleged footage was never meant to be included in the trailer in the first place and that it is typical in filmmaking that archival footage be used as placeholders for VFX shots, while revealing that the shot is not in the film itself.

Release

An early press and industry screening of the The Creator, originally meant to have been its world premiere until being impacted by the 2023 Hollywood labor disputes, took place at the TCL Chinese Theatre in Los Angeles on September 18, 2023, with props and costumes from the film on display in the lobby. Edwards was also present and voiced his support for the film's cast, who could not attend and promote the film due to the strikes, in a speech before the film began. The film held its Texas premiere at Fantastic Fest on September 26, 2023, with a special screening as the opening night film of Beyond Fest that same day at the Aero Theatre in Santa Monica, California. The film's United Kingdom premiere took place on September 26, 2023, at the The Science Museum, South Kesington in London.

Visit-> 9xMoviesMod.com

It was released on September 29, 2023 in both conventional theaters and in IMAX, Dolby Cinema, 4DX and ScreenX, just two days after the end of the 2023 Writers Guild of America strike. It competed for opening weekend attendance with Paramount Pictures' PAW Patrol: The Mighty Movie and Lionsgate's Saw X. It had been originally set to be released on October 6, 2023 before it was announced at CinemaCon on April 26, 2023 that the film would be moving up a week.

John David Washington as Joshua Taylor, a military sergeant and undercover operative of the U.S. Army. He has an artificial right arm and left leg due to injuries he suffered during the nuclear explosion in Los Angeles, along with losing his parents and brother.

Madeleine Yuna Voyles as Alpha-O / "Alphie", a robotic simulant with the ability to remotely control technology.

Gemma Chan as Maya Fey-Taylor / Nirmata, the daughter of the original Nirmata (the titular "Creator") and Taylor's wife. Chan also portrays a simulant created by Alphie to replace the deceased Maya.

Allison Janney as Howell, a colonel in the U.S. Army who recruits Taylor. She harbors a deep prejudice against AIs due to losing both her sons in the war, one of whom was tortured by insurgents after being tricked by a simulant who seduced him.

Ken Watanabe as Harun, a simulant soldier in New Asia.

Sturgill Simpson as Drew, Taylor's former comrade and best friend.

Amar Chadha-Patel as Omni / Sek-on / Sergeant Bui, a citizen of New Asia who has donated his likeness to multiple simulants.

Marc Menchaca as McBride, a soldier in the U.S. Army who is part of Taylor's squad.

Robbie Tann as Shipley, a soldier in the U.S. Army who is part of Taylor's squad.

Ralph Ineson as Andrews, a general in the U.S. Army who recruits Taylor.

Michael Esper as Cotton, the captain of Taylor's squad.

Veronica Ngo as Kami, Drew's simulant girlfriend.


Animation Movie Frozen Story And Information

Animation Movie Frozen Story And Information

Frozen is a 2013 American computer-animated musical fantasy film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. The 53rd Disney animated feature film, it is inspired by the 1844 Danish fairy tale The Snow Queen by Hans Christian Andersen. The film was directed by Chris Buck and Jennifer Lee (in her feature directorial debut) and produced by Peter Del Vecho, from a screenplay written by Lee, and a story by Buck, Lee, and Shane Morris. It stars the voices of Kristen Bell, Idina Menzel, Josh Gad, Jonathan Groff and Santino Fontana. Frozen tells the story of Princess Anna as she teams up with an iceman, his reindeer, and a snowman to find her estranged sister Elsa, whose icy powers have inadvertently trapped their kingdom in eternal winter.

Frozen underwent several story treatments before being commissioned in 2011 as a screenplay by Lee. Kristen Anderson-Lopez and Robert Lopez were hired to write the songs for the film, while Christophe Beck composed the score.

Frozen premiered at the El Capitan Theatre in Los Angeles on November 19, 2013, and went into its general theatrical release on November 27. It was praised for its visuals, screenplay, themes, music, and voice acting; some film critics consider Frozen to be Disney's best animated film since the studio's renaissance era. Frozen received two awards at the 86th Academy Awards, and numerous other accolades. It was the first Walt Disney Animation Studios film to win Best Animated Feature.

During its theatrical run, the film was a significant commercial success, earning $1.285 billion in worldwide box office revenue, overtaking Toy Story 3 to become the highest-grossing animated film of all time, and carried its position until it was overtaken by the remake of The Lion King in 2019. It also became the fifth-highest-grossing film of all time and the highest-grossing film of 2013. By January 2015, the film became the best-selling Blu-ray Disc in the United States, which resulted in the film launching a franchise, including an animated short in 2015, an animated featurette in 2017, and a feature-length sequel, Frozen II, in November 2019.

Princess Elsa of Arendelle possesses magical powers allowing her to control ice and snow, often using them to play with her younger sister Anna. After Elsa accidentally injures Anna with her magic, their parents—the King and Queen—take them to a colony of stone trolls led by Grand Pabbie, who heals Anna but erases her memories of Elsa's magic. Grand Pabbie warns Elsa that she must learn to control her powers, and that fear will be her enemy. The sisters are isolated within the castle, whose gates are closed off to the public. Out of fear of her increasingly unpredictable powers, Elsa ceases all contact with Anna, causing them to become emotionally distant. When the sisters are teenagers, the King and Queen are lost at sea and presumed dead.

9xMoviesMod.com Bollywood Action Movies Free Download

At the age of 21, Elsa is due to be crowned queen, but fears that her subjects will discover her magic and fear her. The castle gates are opened for the first time in years to the public and visiting dignitaries, including the scheming Duke of Weselton and the handsome Prince Hans of the Southern Isles. Elsa's coronation proceeds without incident, but she remains distant from Anna. Anna and Hans develop a romantic connection during the festivities, and he impulsively proposes to her, but Elsa objects when they seek her blessing. Hurt and confused, Anna protests, begging Elsa to explain her fear and isolation. The emotional strain causes Elsa to accidentally unleash her powers before the court. Branded a monster by the Duke, Elsa flees to the North Mountain, where she finally acknowledges her powers, building an ice palace to live a hermit life. Unbeknownst to Elsa, her magic has caused Arendelle to fall under an eternal winter.

Anna ventures to find Elsa and end the winter, leaving Hans in command. After getting lost, she meets an iceman named Kristoff and his reindeer Sven, recruiting them to take her to the mountains. An attack by wolves damages Kristoff's sleigh beyond repair. Forced to continuing the journey on foot, Anna and Kristoff meet Olaf, a talking snowman unknowingly created by Elsa, who offers to guide them to her. When Anna's horse reports back to Arendelle without her, Hans sets out to find her along with the Duke's minions, whom the Duke secretly gives orders to kill Elsa.

When Anna reaches the ice palace and reveals to Elsa what has become of Arendelle, a horrified Elsa confesses she does not know how to undo her magic. Her fear causes her powers to manifest themselves once more, and she accidentally freezes Anna's heart, mortally injuring her. In desperation to keep Anna safe, Elsa creates a giant snow monster named Marshmallow, who chases Anna, Kristoff and Olaf away. Realizing the effects of Elsa's spell on Anna, Kristoff takes her to the trolls, his adoptive family. Grand Pabbie reveals that Anna will freeze solid unless "an act of true love" reverses the spell. Kristoff and Olaf race Anna back home so Hans can give her true love's kiss. Hans and his men reach Elsa's palace, defeating Marshmallow, who falls into a chasm, and capturing Elsa.

Anna is delivered to Hans, but rather than kissing her, Hans reveals he was actually planning to seize the throne of Arendelle by eliminating both sisters. Hans locks a heartbroken Anna in a room to die and then manipulates the dignitaries and the Duke into believing that she died from Elsa's spell. He orders the queen's execution, only to discover she has escaped her detention cell. Anna is freed by Olaf, and they venture into the blizzard outside to meet Kristoff, whom Olaf has revealed is in love with her. Hans confronts Elsa outside, claiming that she killed Anna, causing Elsa to break down and abruptly stop the storm. Moments before Hans can kill Elsa, Anna leaps in the way and freezes solid, stopping Hans. Devastated, Elsa hugs and mourns over her sister, who thaws out, her heroism constituting "an act of true love".

Realizing that love is the key to controlling her magic, Elsa dispels the eternal winter, and gives Olaf a flurry small cloud to experience warmth. Hans is arrested and banished from Arendelle for his treason while Elsa cancels the trade agreement with Weselton to get back at the Duke. Anna gives Kristoff a new sleigh and the two kiss. The sisters are reunited, and Elsa promises never to lock the castle gates again.

Marshmallow, having survived the fall, finds Elsa's discarded crown and places it on top of its head.

Conception and early attempts to adapt The Snow Queen

Concept art from Disney's shelved hand-drawn film adaptation of The Snow Queen.

In March 1940, Walt Disney suggested a co-production to film producer Samuel Goldwyn, where his studio would shoot the live-action sequences of Hans Christian Andersen's life and Disney's studio would animate Andersen's fairy tales. The animated sequences would be based on some of Andersen's best-known works, such as The Little Mermaid, The Little Match Girl, The Steadfast Tin Soldier, The Snow Queen, Thumbelina, The Ugly Duckling, The Red Shoes, and The Emperor's New Clothes. However, the studio encountered difficulty with The Snow Queen, as it could not find a way to adapt and relate the Snow Queen character to modern audiences.

Sufna Punjabi Full Movie Free Download720p

After the United States entered World War II, Disney focused on making wartime propaganda, which caused development on the Disney–Goldwyn project to grind to a halt in 1942. Goldwyn went on to produce his own live-action film version in 1952, entitled Hans Christian Andersen, with Danny Kaye as Andersen, Charles Vidor directing, Moss Hart writing, and Frank Loesser penning the songs. All of Andersen's fairy tales were, instead, told in song and ballet in live-action, like the rest of the film. It went on to receive six Academy Award nominations the following year. Back at Disney, The Snow Queen, along with other Andersen fairy tales (including The Little Mermaid), were shelved.

"Hans Christian Andersen's original version of The Snow Queen is a pretty dark tale and it doesn't translate easily into a film. For us the breakthrough came when we tried to give really human qualities to the Snow Queen. When we decided to make the Snow Queen Elsa and our protagonist Anna sisters, that gave a way to relate to the characters in a way that conveyed what each was going through and that would relate for today's audiences. This film has a lot of complicated characters and complicated relationships in it. There are times when Elsa does villainous things but because you understand where it comes from, from this desire to defend herself, you can always relate to her. 'Inspired by' means exactly that. There is snow and there is ice and there is a Queen, but other than that, we depart from it quite a bit. We do try to bring scope and the scale that you would expect but do it in a way that we can understand the characters and relate to them."

Producer Peter Del Vecho, on the difficulties adapting The Snow Queen

In the late 1990s, Walt Disney Feature Animation started developing a new adaptation of The Snow Queen after the tremendous success of their recent films during the Disney Renaissance era (1989–1999), but the project was scrapped completely in late 2002, when Glen Keane reportedly quit the project and went on to work on another project which became Tangled (2010). Even before then, Harvey Fierstein pitched his version of the story to Disney's executives, but was turned down. Paul and Gaëtan Brizzi, Dick Zondag and Dave Goetz reportedly all tried their hand at it, but failed. After a number of unsuccessful attempts from 2000 to 2002, Disney shelved the project again. 10–11  During one of those attempts, Michael Eisner, then-chairman and chief executive officer of The Walt Disney Company, offered his support to the project and suggested doing it with Oscar-winning director John Lasseter at Pixar after the then-expected renewal of Pixar's contract with Disney. But negotiations between Pixar and Disney collapsed in January 2004 and that contract was never renewed. Instead, Eisner's successor Bob Iger negotiated Disney's purchase of Pixar in January 2006 for $7.4 billion, and Lasseter was promoted to chief creative officer of both Pixar and Disney Animation.

Development

Development of Frozen began in 2008, when Lasseter was able to convince Chris Buck (who co-directed the 1999 film Tarzan for the studio) to return to Walt Disney Animation Studios from Sony Pictures Animation (where he had recently co-directed the Oscar-nominated 2007 film Surf's Up); that September, Buck pitched several ideas to Lasseter, one of which was The Snow Queen. Buck later revealed that his initial inspiration for The Snow Queen was not the Andersen fairy tale itself, but that he wanted "to do something different on the definition of true love." "Disney had already done the 'kissed by a prince' thing, so thought it was time for something new," he recalled. It turned out Lasseter had been interested in The Snow Queen for a long time; back when Pixar was working with Disney on Toy Story in the 1990s, he saw and was "blown away" by some of the pre-production art from Disney's prior attempts. Development began under the title Anna and the Snow Queen, which was planned to be traditionally animated. According to Josh Gad, he first became involved with the film at that early stage, when the plot was still relatively close to the original Andersen fairy tale and Megan Mullally was going to play Elsa. By early 2010, the project entered development hell once again, when the studio again failed to find a way to make the story and the Snow Queen character work.

Filmywap.fun Hollywood Movies in Hindi Dubbed Download

Resurgence

On December 22, 2011, following the success of Tangled, Disney announced a new title for the film, Frozen, and a release date of November 27, 2013. A month later, it was confirmed that the film would be a computer-animated feature instead of the originally intended hand-drawn animation due to complex elements in the script regarding strong visuals. Kristen Anderson-Lopez and Robert Lopez joined the project and started writing songs for Frozen in January 2012. On March 5, 2012, it was announced that Buck would be directing, with Lasseter and Peter Del Vecho producing.

After Disney decided to advance The Snow Queen into development again, one of the main challenges Buck and Del Vecho faced was the character of the Snow Queen, who was then a villain in their drafts. The studio has a tradition of screening animated films in development every twelve weeks, then holding lengthy "notes sessions" in which its directors and screenwriters from different projects provide extensive "notes" on each other's work.

Buck and Del Vecho presented their storyboards to Lasseter, and the entire production team adjourned to a conference to hear his thoughts on the project. Art director Michael Giaimo later acknowledged Lasseter as the "game changer" of the film: "I remember John saying that the latest version of The Snow Queen story that Chris Buck and his team had come up with was fun, very light-hearted. But the characters didn't resonate. They aren't multi-faceted. Which is why John felt that audiences wouldn't really be able to connect with them.

The production team then addressed the film's problems, drafting several variations on The Snow Queen story until the characters and story felt relevant. At that stage, the first major breakthrough was the decision to rewrite the film's protagonist, Anna (who was based on the Gerda character from The Snow Queen), as the younger sibling of Elsa, thereby effectively establishing a family dynamic between the characters. This was unusual in that relationships between sisters are rarely used as a major plot element in American animated films, with the notable exception of Disney's Lilo & Stitch (2002). To fully explore the unique dynamics of such relationships, Disney Animation convened a "Sister Summit", at which women from all over the studio who grew up with sisters were asked to discuss their relationships with their sisters.

Writing

In March 2012, Jennifer Lee, one of the writers of Wreck-It Ralph, was brought in as screenwriter. Before Lee was brought on board, the efforts of the previous screen and songwriters had "imploded", which allowed the songwriters "to put a lot of their DNA" into the new script. The production team "essentially started over and ... had 17 months," which resulted in a very "intense schedule" and implied "a lot of choices had to be made fast".

While developing the story, Jennifer Lee and Chris Buck drew influence from several sources. They said the biggest influence on the film was the country of Norway, when the art department visited the country, drawing inspiration from the country's culture and environment. They also cited the influence of several films, including Hayao Miyazaki's anime productions along with the David Lean productions Lawrence of Arabia (1962) and Doctor Zhivago (1965), stating that they were inspired by their sense of "epic adventure and that big scope and scale and then the intimacy of funny quirky characters.

According to Lee, several core concepts were already in place, such as the film's "frozen heart" hook: "That was a concept and the phrase ... an act of true love will thaw a frozen heart. They already knew the ending involved true love in the sense of the emotional bond between siblings, not romance, in that "Anna was going to save Elsa. We didn't know how or why. Lee said Edwin Catmull, president of Disney Animation, told her early on about the film's ending: you have to earn that ending. If you do it will be great. If you don't, it will suck". However, the final version differed sharply from the earlier ones. In the original, Elsa had been evil from the start, kidnapping Anna from her own wedding to intentionally freeze her heart and later descending upon the town with an army of snowmen. The whole second act was about Anna trying to get to Hans and to kiss him and then Elsa trying to stop her". Buck revealed that the original plot attempted to make Anna sympathetic by focusing on her frustration as the "spare" in relation to the "heir". The pacing of the revised plot focused on musical comedy with less action and adventure.

65 in Hindi Dubbed Adventure Full Movie Download Free

A breakthrough was the composition of the song "Let It Go" by Lopez and Anderson-Lopez, which forced a reimagining of Elsa as a more complex, vulnerable, and sympathetic character. In The Daily Telegraph's words, the songwriters saw Elsa not as a villain but as "a scared girl struggling to control and come to terms with her gift". "Bobby and Kristen...started talking about what would it feel like", Lee said. "And this concept of letting out who she is that she's kept to herself for so long and she's alone and free, but then the sadness of the fact that the last moment is she's alone". Del Vecho explained that "Let It Go" changed Elsa into a person "ruled by fear and Anna was ruled by her own love of other people and her own drive", which caused Lee to "rewrite the first act and then that rippled through the entire movie. So that was when we really found the movie and who these characters were".

Another breakthrough was developing the plot twist that Prince Hans, having not even been in the first drafts, would be revealed as the true villain only near the end. Del Vecho said, "if we were going to make the ending so surprising you had to believe at one point that Hans was the answer he's not the answer, it's Kristoff. If you can get the audience to leap ahead and think they have figured it out you can surprise them by turning it the other way". Lee acknowledged that Hans was written as "sociopathic" and "twisted". "It was difficult to lay the foundation for Anna's belated turn to Kristoff without also making Hans' betrayal of Anna too predictable, in that the audience had to "feel ... her feeling something but not quite understanding it ... Because the minute it is [understood,] it deflated. In earlier drafts, Anna openly flirted with Kristoff at their first meeting, but that was changed after Walt Disney Studios chairman Alan Horn pointed out that it would confuse and annoy viewers, since Anna was already engaged to Hans.

Lee had to work through how to write Anna's personality; some of her colleagues felt Anna should be more dysfunctional and co-dependent. Lee disagreed, but it took her almost a year to convincingly articulate "this is what Anna's journey is. No more than that. No less than that. In the end, Lee successfully argued for a simple coming-of-age story, "where she goes from having a naive view of life and love – because she's lonely – to the most sophisticated and mature view of love, where she's capable of the ultimate love, which is sacrifice". Lee also had to let go of ideas that she liked, such as a scene portraying Anna and Elsa's relationship as teenagers, because they needed to maintain the separation between Anna and Elsa. To construct Anna and Elsa's relationship, Lee found inspiration from her own relationship with her older sister. Lee called her older sister "my Elsa" in an op-ed in the Los Angeles Times, and walked the red carpet with her at the 86th Academy Awards. Lee explained, "having to ... lose each other and then rediscover each other as adults, that was a big part of my life".

The team also turned Olaf from Elsa's obnoxious sidekick into Anna's comically innocent one. Lee's initial response to the original "mean" version of Olaf had been, "Kill the f-ing snowman", and she found Olaf by far "the hardest character to deal with". The problem of how Anna would save Elsa at the climax was solved by story artist John Ripa. At the story meeting where Ripa pitched his take on the story, Lasseter said, "I've never seen anything like that before", followed by a standing ovation. Along the way, the team abandoned a lot of the detail of earlier drafts, such as a troll with a Brooklyn accent to explain the backstory behind Elsa's magical powers, and a regent for whom Lee was hoping to cast comedian Louis C.K. These were excised because they amounted to a "much more complex story than really we felt like we could fit in this 90-minute film". As Del Vecho put it, "the more we tried to explain things at the beginning, the more complicated it got".

Given Lee's extensive involvement in the development process, she was promoted to co-director by studio heads Lasseter and Catmull in August 2012, which was announced that November, making Lee the first woman to direct a full-length animated film from Walt Disney Animation Studios. Lee later said that she was "really moved by a lot of what Chris had done" and that they "shared a vision" of the story, having "very similar sensibilities".

By November 2012, the team thought they had finally "cracked" the film's story, but according to Del Vecho, in late February 2013 it was realized that it still "wasn't working", which necessitated more rewriting from February through June 2013. He explained, "we rewrote songs, we took out characters and changed everything, and suddenly the movie gelled. But that was close. In hindsight, piece of cake, but during, it was a big struggle. Looking back, Anderson-Lopez joked she and Lopez thought they could have ended up working as "birthday party clown[s]" if the final product "pulled ... down" their careers and recalled that "we were really writing up until the last minute". In June (five months before the announced release date), the songwriters finally got the film working when they composed the song "For the First Time in Forever", which, in Lopez's words, "became the linchpin of the whole movie". That month, Disney conducted test screenings of the part-completed film with two audiences (one of families and the other of adults) in Phoenix, Arizona, at which Lasseter and Catmull were present. Lee recalled that it was the moment when they realized they "had something, because the reaction was huge". Catmull told her afterwards, "you did it".

Similar to Tangled, Frozen employed a unique artistic style by blending together features of both computer-generated imagery (CGI) and traditional hand-drawn animation. From the beginning, Buck knew Giaimo was the best candidate to develop the style he had in mind – which would draw from the best Disney hand-drawn films of the 1950s, the Disney Little Golden Books, and mid-century modern design – and persuaded him to come back to Disney to serve as the art director for Frozen. Buck, Lasseter, and Giaimo were all old friends who had first met at the California Institute of the Arts, and Giaimo had previously served as the art director for Disney's Pocahontas (1995), which Buck had worked on as a supervising animator.

To create the look of Frozen, Giaimo began pre-production research by reading extensively about the entire region of Scandinavia and visiting the Danish-themed city of Solvang near Los Angeles, but eventually zeroed in on Norway in particular because "80 percent" of the visuals that appealed to him were from Norway. Disney eventually sponsored three research field trips. Animators and special effects specialists were dispatched to Jackson Hole, Wyoming, to experience walking, running, and falling in deep snow in a variety of types of attire, including long skirts (which both female and male personnel tried on); while lighting and arts teams visited an Ice Hotel in Quebec City, Quebec to study how light reflects and refracts on snow and ice. Finally, Giaimo and several artists traveled to Norway to draw inspiration from its mountains, fjords, architecture, and culture. "We had a very short time schedule for this film, so our main focus was really to get the story right but we knew that John Lasseter is keen on truth in the material and creating a believable world, and again that doesn't mean it's a realistic world – but a believable one. It was important to see the scope and scale of Norway, and important for our animators to know what it's like," Del Vecho said. "There is a real feeling of Lawrence of Arabia scope and scale to this," he finished.

MoviesRay.com South Indian Full Movies Free Download

During 2012, while Giaimo and the animators and artists conducted preparatory research and developed the film's overall look, the production team was still struggling to develop a compelling script, as explained above. That problem was not adequately solved until November 2012, and the script would later require even more significant revisions after that point. As a result, the single "most daunting" challenge facing the animation team was a short schedule of less than 12 months to turn Lee's still-evolving shooting script into an actual film. Other films like Pixar's Toy Story 2 had been successfully completed on even shorter schedules, but a short schedule necessarily meant "late nights, overtime, and stress. Lee estimated the total size of the entire team on Frozen to be around 600 to 650 people, "including around 70 lighting people, 70-plus animators," and 15 to 20 storyboard artists.

Del Vecho explained how the film's animation team was organized: "On this movie we do have character leads, supervising animators on specific characters. The animators themselves may work on multiple characters but it's always under one lead. I think it was different on Tangled, for example, but we chose to do it this way as we wanted one person to fully understand and develop their own character and then be able to impart that to the crew. Hyrum Osmond, the supervising animator on Olaf, is quiet but he has a funny, wacky personality so we knew he'd bring a lot of comedy to it; Anna's animator, Becky Bresee, it's her first time leading a character and we wanted her to lead Anna. Acting coach Warner Loughlin was brought in to help the film's animators understand the characters they were creating. In order to get the general feeling of each scene, some animators did their own acting. "I actually film myself acting the scene out, which I find very helpful," said animation supervisor Rebecca Wilson Bresee. This helped her discover elements that made the scene feel real and believable. Elsa's supervising animator was Wayne Unten, who asked for that role because he was fascinated by the complexity of the character. Unten carefully developed Elsa's facial expressions in order to bring out her fear as contrasted against Anna's fearlessness. He also studied videos from Menzel's recording sessions and animated Elsa's breathing to match Menzel's breathing. Head of Animation, Lino DiSalvo, said, "The goal for the film was to animate the most believable CG characters you've ever seen.

Regarding the look and nature of the film's cinematography, Giaimo was greatly influenced by Jack Cardiff's work in Black Narcissus (1947). According to him, it lent a hyper-reality to the film: "Because this is a movie with such scale and we have the Norwegian fjords to draw from, I really wanted to explore the depth. From a design perspective, since I was stressing the horizontal and vertical aspects, and what the fjords provide, it was perfect. We encased the sibling story in scale." Ted D. McCord's work in The Sound of Music was another major influence for Giaimo. It was also Giaimo's idea that Frozen should be produced in the CinemaScope widescreen process, which was approved by Lasseter. This made Frozen the first animated film to be completely produced in CinemaScope since 2000's Titan A.E.. Giaimo also wanted to ensure that Norway's fjords, architecture and rosemaling folk art, were critical factors in designing the environment of Arendelle. Giaimo, whose background is in traditional animation, said that the art design environment represents a unity of character and environment and that he originally wanted to incorporate saturated colors, which is typically ill-advised in computer animation. For further authenticity, a live reindeer named Sage was brought into the studio for animators to study its movements and mannerisms for the character Sven.

Another important issue Giaimo insisted on addressing was costumes, in that he "knew from the start" it would be a "costume film". To realize that vision, he brought in character designer Jean Gillmore to act as a dedicated "costume designer". While traditional animation simply integrates costume design with character design and treats clothing as merely part of the characters, computer-generated animation regards costume as almost a separate entity with its own properties and behaviors and Frozen required a level of as-yet untried detail, down to minutiae like fabrics, buttons, trim, and stitching. Gillmore explained that her "general approach was to meld the historic silhouettes of 1840 Western Europe (give or take), with the shapes and garment relationships and details of folk costume in early Norway, circa 19th century. This meant using primarily wool fabric with accents of velvet, linen, and silk. During production, Giaimo and Gillmore "ran around" supplying various departments with real-world samples to use as references; they were able to draw upon both the studio's own in-house library of fabric samples and the resources of Walt Disney Parks and Resorts' costume division in Fullerton, California. The film's "look development artists" (the Disney job title for texture artists created the digitally painted simulation of the appearance of surfaces, while other departments dealt with movement, rigging and weight, thickness and lighting of textile animation.

During production, the film's English title was changed from The Snow Queen to Frozen, a decision that drew comparisons to another Disney film, Tangled. Peter Del Vecho explained that "the title Frozen came up independently of the title Tangled. It's because, to us, it represents the movie. Frozen plays on the level of ice and snow but also the frozen relationship, the frozen heart that has to be thawed. We don't think of comparisons between Tangled and Frozen, though." He also mentioned that the film will still retain its original title, The Snow Queen, in some countries: "because that just resonated stronger in some countries than Frozen. Maybe there's a richness to The Snow Queen in the country's heritage and they just wanted to emphasize that.


Harry Potter and the Deathly Hallows - Part 2 Movie Review And Information

Harry Potter and the Deathly Hallows - Part 2 Movie Review And Information

Harry Potter and the Deathly Hallows – Part 2 is a 2011 fantasy film directed by David Yates from a screenplay by Steve Kloves. The film is the second of two cinematic parts based on the 2007 novel Harry Potter and the Deathly Hallows by J. K. Rowling. It is the sequel to Harry Potter and the Deathly Hallows – Part 1 (2010) and the eighth and final instalment in the Harry Potter film series. The story concludes Harry Potter's quest to find and destroy Lord Voldemort's Horcruxes in order to stop him once and for all.

The film stars an ensemble cast consisting of Daniel Radcliffe as Harry Potter, and Rupert Grint and Emma Watson as Harry's best friends, Ron Weasley and Hermione Granger, alongside Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Ralph Fiennes, Michael Gambon, John Hurt, Jason Isaacs, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, and Julie Walters. Principal photography began on 19 February 2009, and was completed on 12 June 2010, with reshoots taking place in December 2010.

Part 2 was released in the United Kingdom and the United States on 15 July 2011, by Warner Bros. Pictures, and is the only Harry Potter film to be released in 3D. The film was a commercial success and one of the best-reviewed films of 2011, earning praise for the acting, Yates's direction, musical score, visual effects, cinematography, action sequences, and satisfying conclusion of the saga. At the box office, Part 2 claimed the worldwide opening weekend record, earning $483.2 million, as well as setting opening day and opening weekend records in various countries. Part 2 grossed over $1.3 billion worldwide and became the third-highest-grossing film at the time of its release, the highest-grossing film of 2011, and the highest-grossing film released by Warner Bros. until it was overtaken by Barbie in 2023. It is currently the highest-grossing film in the Harry Potter series and well as in the Wizarding World franchise. The National Board of Review named The Deathly Hallows – Part 2 as one of the top ten films of 2011. It was nominated for three awards at the 84th Academy Awards, and received numerous other accolades.

The DVD and Blu-ray were released on 11 November 2011 in the United States and on 2 December 2011 in the United Kingdom. Part 1 and Part 2 were released as a combo pack on DVD and Blu-ray on 11 November 2011 in Canada. The film was also released in the Harry Potter: Complete 8-Film Collection box set on DVD and Blu-ray, which included all eight films and new special features.

Plot

After burying Dobby, Harry Potter asks the goblin Griphook to help him, along with Ron Weasley and Hermione Granger, break into Bellatrix Lestrange's vault at Gringotts bank, suspecting a Horcrux is there. Griphook agrees, in exchange for the Sword of Gryffindor. Wandmaker Ollivander tells Harry that two wands taken from Malfoy Manor belonged to Bellatrix and Draco Malfoy; he senses Draco's wand has changed its allegiance to Harry, who captured it from Draco. A horcrux, Helga Hufflepuff's cup, is found in Bellatrix's vault, but Griphook snatches the sword and abandons them. Trapped by security, they release the dragon guardian and flee Gringotts on its back. Harry has a vision of Lord Voldemort at Gringotts, furious at the theft. Harry also realises a Horcrux connected to Rowena Ravenclaw is hidden at Hogwarts. The trio apparate into Hogsmeade and are helped by Aberforth Dumbledore, who reveals a secret passageway into Hogwarts, which Neville Longbottom guides them through.

Severus Snape knows Harry has returned and threatens to punish any staff or students who aid Harry. Harry confronts Snape, who flees during a duel with Professor McGonagall. McGonagall rouses the Hogwarts community for battle. Luna Lovegood urges Harry to speak to Helena Ravenclaw's ghost. Helena reveals Voldemort performed "dark magic" on her mother's diadem, and tells Harry that the diadem is somewhere in the Room of Requirement. In the Chamber of Secrets, Ron and Hermione destroy the Horcrux cup with a Basilisk fang. Draco, Blaise Zabini and Gregory Goyle attack Harry in the Room of Requirement, but Ron and Hermione intervene. Goyle casts an uncontrollable Fiendfyre curse that kills him while Harry, Ron, and Hermione save Malfoy and Zabini and escape on brooms. Once outside, Harry stabs the diadem with the Basilisk fang and Ron kicks it to the inferno. As Voldemort's army attacks, Harry, seeing into Voldemort's mind, realises that Voldemort's snake Nagini is the final Horcrux. In the boathouse, the trio overhear Voldemort telling Snape that the Elder Wand cannot serve Voldemort until Snape dies; Nagini then viciously attacks Snape. As Snape dies, he gives Harry one of his memories. Meanwhile, Fred Weasley, Remus Lupin, and Nymphadora Tonks are killed in the chaos at Hogwarts.

Bajre Da Sitta Punjabi Full Movie 720p Download Free

Harry views Snape's memory in the Pensieve: Snape despised Harry's late father James, who bullied him, but he loved his mother Lily. Following her death, Snape worked with Albus Dumbledore as a double agent amongst the Death Eaters, to protect Harry from Voldemort. Harry also learns that Dumbledore was dying and planned for Snape to kill him. It was Snape who conjured the Patronus doe that led Harry to Gryffindor's sword. Harry also learns that he became an accidental Horcrux when Voldemort's curse originally failed to kill him; Voldemort must now kill Harry to destroy the soul shard within him. Using the Resurrection Stone that had been stored in the Golden Snitch bequeathed to him, Harry summons the spirits of his parents, Sirius Black, and Remus. They comfort him before he surrenders to Voldemort in the Forbidden Forest. Voldemort casts the Killing Curse upon Harry, who awakens in limbo. Dumbledore's spirit meets him and explains that Harry is now free of Voldemort, and can choose to return to his body or move on. Harry chooses the former.

Voldemort displays Harry's apparent corpse and demands that Hogwarts surrender. As Neville draws the Sword of Gryffindor from the Sorting Hat in defiance, Harry reveals he is alive and the Malfoys and many other Death Eaters abandon Voldemort, demoralised after seeing that Harry still lived. While Harry confronts Voldemort in a duel throughout the castle, Ron's mother, Molly, kills Bellatrix in the Great Hall and Neville decapitates Nagini, destroying the last of the horcruxes. Harry finally destroys Voldemort after the Expelliarmus charm deflects the Killing Curse, rebounding it onto the Dark Lord. After the battle, Harry explains to Ron and Hermione that Voldemort never commanded the Elder Wand. It recognised him as its true master after he had disarmed Draco, who had earlier disarmed its previous owner, Dumbledore, atop the Astronomy Tower. Instead of claiming the Elder Wand, Harry destroys it.

Nineteen years later, Harry and his friends proudly watch their children leave for Hogwarts at King's Cross station.

Daniel Radcliffe as Harry Potter: A 17-year-old British wizard.

Rupert Grint as Ron Weasley: One of Harry's best friends.

Emma Watson as Hermione Granger: Harry's other best friend.

Helena Bonham Carter as Bellatrix Lestrange: A Death Eater and Sirius Black's cousin and murderer.

Robbie Coltrane as Rubeus Hagrid: Harry's half-giant friend and a former member of staff at Hogwarts.

Warwick Davis as Filius Flitwick: The Charms master and Head of the Ravenclaw house at Hogwarts; and also as Griphook, a goblin and former employee at Gringotts Bank.

Ralph Fiennes as Lord Voldemort: A twisted, evil, power-hungry, powerful wizard, and the founder and supreme leader of the Death Eaters.

Michael Gambon as Professor Albus Dumbledore: The late headmaster of Hogwarts.

John Hurt as Garrick Ollivander: A wandmaker abducted by the Death Eaters.

Jason Isaacs as Lucius Malfoy: Draco Malfoy's father and a disgraced Death Eater.

Helen McCrory as Narcissa Malfoy: Draco's mother and Bellatrix's sister.

Gary Oldman as Sirius Black: Harry's late godfather.

Alan Rickman as Professor Severus Snape: Former Head of the Slytherin House and Potions and Defence Against the Dark Arts teacher and the new headmaster of Hogwarts.

Maggie Smith as Professor Minerva McGonagall: The Transfiguration teacher and the Head of the Gryffindor house at Hogwarts.

David Thewlis as Remus Lupin: A werewolf, member of the Order of the Phoenix and a former Defence Against the Dark Arts teacher at Hogwarts.

Julie Walters as Molly Weasley: The Weasley matriarch.

Tom Felton as Draco Malfoy: A Death Eater and son of Lucius and Narcissa Malfoy.

Bonnie Wright as Ginny Weasley: Ron's younger sister and Harry's love interest.

Matthew Lewis as Neville Longbottom: A schoolfriend and strong supporter of Harry Potter.

Evanna Lynch as Luna Lovegood: A seemingly dotty schoolfriend of Harry, who provides wise counsel at key moments.

In the book, a significant number of characters who have not appeared since some of the earlier novels reappear to defend Hogwarts in the large, final battle. Director David Yates stated, "I want to get them all back", referring to his desire to bring back as many actors who have appeared in the franchise as possible for that climactic battle sequence in the film. Resultantly, several actors reprise their roles from previous Harry Potter films including Sean Biggerstaff as Oliver Wood, Jim Broadbent as Horace Slughorn, Gemma Jones as Poppy Pomfrey, Miriam Margolyes as Pomona Sprout, and Emma Thompson as Sybill Trelawney.

Pathaan Action Full Movie Free Download

The roles of several minor characters were recast or replaced for this film. For example, Ciarán Hinds assumed the role of Aberforth Dumbledore, Albus Dumbledore's brother and bartender of the Hog's Head inn. For the final scene in the film which is set nineteen years after the film's main story, the actors playing the main characters were made to look older through the use of makeup and special effects. After the initial look of the actors' aged appearances leaked onto the Internet, some fans reacted by opining that Radcliffe and Grint looked too old, while Watson did not appear significantly different at all. After primary filming concluded in June 2010, Yates examined the footage, and concluded that the problem could not be resolved through editing or CGI, and had the sequence re-shot that December, with redesigned makeup.

Filming

St Pancras serves as the opening shot of the film's final scene, "nineteen years later".

Part 2 was filmed back-to-back with Harry Potter and the Deathly Hallows – Part 1 from 19 February 2009 to 12 June 2010, with reshoots for the epilogue scene taking place at Leavesden Film Studios on 21 December 2010. Yates, who shot the film with director of photography Eduardo Serra, described Part 2 as "operatic, colourful and fantasy-oriented", a "big opera with huge battles".

Originally set for a single theatrical release, the idea to split the book into two parts was suggested by executive producer Lionel Wigram due to, what David Heyman called, "creative imperative". Heyman initially responded negatively to the idea, but Wigram asked, "No, David. How are we going to do it?". After rereading the book and discussing it with screenwriter Steve Kloves, he agreed with the division.

Sets

In an interview with Architectural Digest, production designer Stuart Craig remarked on creating sets for Part 2. Of the Gringotts Wizarding Bank, he said, "our banking hall, like any other, is made of marble and big marble columns. And it has great strength. The fact that the goblins are the bankers and tellers at the counter helps that feeling of grandeur and solidity and the big proportions. That was part of the fun of the set: we exaggerated the size of it, we exaggerated the weight of it, and we even exaggerated the shine of the marble." About the multiplication of treasure in one of the bank's vaults, he noted, "We made literally thousands of pieces for it and vacuum metallised them to be shiny gold and silver. John Richardson, the special effects supervisor, made a floor that was capable of rising on different levels, so there was kind of a physical swelling of the treasure on it.

Craig spoke about the Battle of Hogwarts to Art Insights Magazine, saying that "the great challenge is the destruction of Hogwarts. The sun rising behind the smoke ... the massive remains of destroyed walls, the entrance hall, the entrance of the Great Hall, part of the roof of the Great Hall completely gone, so yeah. A big challenge there and an enjoyable one really – maybe it helped me and the guys in the art department sort of prepare for the end we demolished it before we had to strike it completely." When asked about the King's Cross scene near the end of the film, Craig said, "We experimented a lot, quite honestly. I mean it was quite a protracted process really but we did experiment the sense of it being very burnt out very very kind of white – so we experimented with underlit floors, we experimented with different kind of white covering everything: white paint, white fabric, and the cameraman was involved in how much to expose it, and a series of camera tests were done, so we got there but with a great deal of preparation and research.

Filmywap.fun: Bollywood Movies Download Free

Visual effects

Visual effects supervisor Tim Burke said that "It was such a major job to stage the Battle of Hogwarts, and we had to do it in different stages of production. We had shots with complex linking camera moves from wide overviews, to flying into windows and interior spaces. So, we took the plunge at the end of 2008, and started rebuilding the school digitally with Double Negative." He went on to say: "It's taken two years – getting renders out, texturing every facet of the building, constructing interiors to see through windows, building a destruction version of the school. We can design shots with the knowledge that we have this brilliant digital miniature that we can do anything with. With a practical Hogwarts, we would have shot it last summer and been so tied down. Instead, as David Yates finds the flow and structure, we are able to handle new concepts and ideas.

On the quality of 3D in film, Burke told Los Angeles Times, "I think it's good, actually. I think people are going to be really pleased. I know everyone's a little nervous and sceptical of 3D these days, but the work has been done very, very well. We've done over 200 shots in 3D and in the visual effects as well, because so much of it is CGI, so the results are very, very good. I think everyone's going to be really impressed with it, actually." Producer David Heyman spoke to SFX magazine about the 3D conversion, saying that "The way David Yates is approaching 3D is he's trying to approach it from a character and story point of view. Trying to use the sense of isolation, of separation that sometimes 3D gives you, to heighten that at appropriate moments. So we're approaching it in a storytelling way.

In 2012, the visual effects in the film were nominated for an Oscar. The film also won the BAFTA Award for Best Special Visual Effects at the 65th BAFTA Awards in 2012.

Music

Main article: Harry Potter and the Deathly Hallows – Part 2 (soundtrack)

See also: Music of the Harry Potter films

It was originally planned that John Williams, who composed the scores for the first three instalments, would return to compose the final film's score, but he was unavailable due to scheduling conflicts. It was confirmed that the composer for Part 1, Alexandre Desplat, was set to return for Part 2. In an interview with Film Music Magazine, Desplat stated that scoring Part 2 is "a great challenge" and that he has "a lot of expectations to fulfill and a great deal of work" ahead of him. In a separate interview, Desplat also made note that Williams's themes will be present in the film "much more than in Part 1". The soundtrack for the film was nominated for Best Score Soundtrack for Visual Media at the 54th Annual Grammy Awards.

Theatrical

Daniel Radcliffe, Emma Watson and Rupert Grint at the premiere of Harry Potter and the Deathly Hallows – Part 2 on 7 July 2011 at Trafalgar Square in London.

On 2 April 2011, a test screening of the film was held in Chicago, with Yates, Heyman, Barron and editor Mark Day in attendance. The film had its world premiere on 7 July 2011 at Trafalgar Square in London. The United States premiere was held in New York City at Lincoln Center on 11 July 2011. Although filmed in 2D, the film was converted into 3D in post-production and was released in both RealD 3D, IMAX 3-D and 4DX.

Shazam Fury of The Gods Full Movie Hindi Dubbed Download Free

The film was originally scheduled to open in Indonesia on 13 July 2011. The Indonesian government levied a new value added tax on royalties from foreign films in February 2011, causing three film studios, including Warner Brothers, to halt the importation of their films, including Harry Potter and the Deathly Hallows – Part 2 into the country. The film was not released to cinemas in the Kingdom of Jordan due to recently enforced taxes on films.

On 10 June, one month before release, tickets went on sale. On 16 June 2011, Part 2 received a 12A certificate from the British Board of Film Classification, who note that the film "contains moderate threat, injury detail and language", becoming the only Harry Potter film to receive a warning for "injury detail". At midnight 15 July, Part 2 screened in 3,800 theaters. In the United States, it played in 4,375 theaters, 3,100 3D theaters and 274 IMAX theaters, the widest release for an IMAX, 3D, 4DX and Harry Potter film.

Home media

Harry Potter and the Deathly Hallows – Part 2 was released on 11 November 2011 in the United States in four formats: a one-disc standard DVD, a two-disc standard DVD special edition, a one-disc standard Blu-ray, and three-Disc Blu-ray 2D Combo Pack (Blu-ray + DVD + Digital Copy). In the United Kingdom and Ireland, the film was released on 2 December 2011 in three formats: a two-disc standard DVD, a three-disc Blu-ray 2D Combo Pack (Blu-ray + DVD + Digital Copy), and a four-disc Blu-ray 3D Combo Pack (Blu-ray 3D + Blu-ray 2D + DVD + Digital Copy). The film set the record for fastest-selling pre-order DVD and Blu-ray on Amazon.com, just two days into the pre-order period.

Deathly Hallows – Part 2 sold 2.71 million Blu-ray units ($60.75 million) in three days (Friday to Sunday). It also sold 2.83 million DVD units ($42.22 million) during its debut. By 18 July 2012 it had sold 4.71 million Blu-ray units ($99.33 million) and 6.47 million DVD units ($88.96 million).

On 28 March 2017, Deathly Hallows – Part 2 made its Ultra HD Blu-ray debut, along with Deathly Hallows - Part 1, The Half-Blood Prince, and Order of the Phoenix.

Critical response

On Rotten Tomatoes, the film has an approval rating of 96% based on 332 reviews, with an average score of 8.3/10. The site's critical consensus reads, "Thrilling, powerfully acted, and visually dazzling, Deathly Hallows Part II brings the Harry Potter franchise to a satisfying – and suitably magical – conclusion. On Metacritic, which assigns a normalised rating to reviews, the film has a score of 85 out of 100 based on 41 reviews, indicating "universal acclaim". The film received a score of 93 from professional critics at the Broadcast Film Critics Association; it is the organisation's highest-rated Harry Potter film. Audiences surveyed by CinemaScore gave the film an average grade of "A" on an A+ to F scale.

Philip Womack in The Daily Telegraph commented, "This is monumental cinema, awash with gorgeous tones, and carrying an ultimate message that will resonate with every viewer, young or old: there is darkness in all of us, but we can overcome it." He further expressed that David Yates "transmutes [the book] into a genuinely terrifying spectacle. Another review was released on the same day from Evening Standard, who rated the film four out of five and stated "Millions of children, parents, and those who should know better won't need reminding what a Horcrux is – and director David Yates does not let them down. In fact, in some ways, he helps make up for the shortcomings of the final book. The Daily Express remarked that the film showcases "a terrifying showdown that easily equals Lord of the Rings or Star Wars in terms of a dramatic and memorable battle between good and evil".

Roger Ebert of the Chicago Sun-Times gave the film three and a half stars out of four and said, "The finale conjures up enough awe and solemnity to serve as an appropriate finale and a dramatic contrast to the lighthearted (relative) innocence of Harry Potter and the Sorcerer's Stone all those magical years ago. Mark Kermode from the BBC said that the film is a "pretty solid and ambitious adaptation of a very complex book", but he criticised the post-converted 3D. Christy Lemire of the Associated Press gave the film three and a half out of four and said "While Deathly Hallows: Part 2 offers long-promised answers, it also dares to pose some eternal questions, and it'll stay with you after the final chapter has closed. Richard Roeper, also from the Chicago Sun-Times, gave the film an A+ rating and said: "This is a masterful and worthy final chapter in one of the best franchises ever put to film.

In one of the few negative reviews, Brian Gibson of Vue Weekly described the film as "deadly dull" and a "visual overstatement". Other reviews criticised the decision to split the novel into two cinematic parts, with Ben Mortimer of The Daily Telegraph writing "Deathly Hallows – Part 2 isn't a film. It's HALF a film ... it's going to feel somewhat emotionless." Other critics wrote of the film's runtime; Alonso Duralde from The Wrap said, "If there's one substantial flaw to the film, it's that this cavalcade of people and places and objects can barely fit in the 130-minute running time. Rebecca Gillie from The Oxford Student gave the film two out of five and wrote: "At the end of there is nothing that stays with you once you've left the cinema.

MoviesRay.com: Hollywood Movies in Hindi Dubbed Download Free

Accolades

Main article: List of accolades received by Harry Potter and the Deathly Hallows – Part 2

At the 84th Academy Awards, Harry Potter and the Deathly Hallows – Part 2 received nominations for Best Art Direction, Best Makeup, and Best Visual Effects. The film's other nominations include four British Academy Film Awards (winning one) and four Critics' Choice Movie Awards (winning two). It was named one of the ten best films of 2011 by the National Board of Review.

Future

Main article: Harry Potter and the Cursed Child § Possible adaptation

In July 2016, Warner Bros. Entertainment, Inc. applied to purchase the rights to the stage play Harry Potter and the Cursed Child, a follow-up to Harry Potter and the Deathly Hallows, leading to speculation that the stage play was being planned to be adapted into a film.

In November 2021, Chris Columbus, who directed the first two instalments of the film series, expressed interest in directing an adaptation of Harry Potter and the Cursed Child, with the intent of having the main cast members reprise their roles. In March 2022, when The New York Times asked Radcliffe whether he would return to his role as Harry Potter, he replied that he was not interested at the moment, but did not deny the possibility of returning to the role in the future.